A fabrication technique that allows three-dimensional objects to be physically rendered from a Computer Aided Design (CAD) model by layering and fusing materials together. A subset of additive manufacturing.
Through the addition of layers of precise geometric shapes fused together, objects created on CAD software or 3D scanners are fabricated in three-dimension.
A decorative technique achieved by sewing a patch on a foundation fabric. Opaque fabrics can be appliquéd on sheer fabrics to create all over patterns.
A technique of cutting fabric on a diagonal grain. Cutting on the bias allows for more ease on a fitted garment, resulting in an elegant drape over the body. This cutting technique also requires the use of more fabric, making it a common choice for luxurious fitted dresses.
Rings linked together to form a mesh. Historically used in armour, then popularised by Versace in the 1990s. In 3D printing, chainmail is used to create flexible materials resembling textile.
An ornamental textile made of thread or yarn featuring open work patterns. Traditionally made by hand, its value depends on the fibre and complexity of design.
A style of embroidery that traces back to the trade between China, India and the Middle East. Silk threads are embroidered in french knots and satin stitches to create motifs borrowed from Iran, China, India and Europe.
A long, fitted dress worn in China that traces its roots to Manchu dress. With more influence from Western tailoring, darts were used to cut closer to the body. Also referred to as Cheongsam, from the Cantonese.
Designers consider fabric weight and its suitability for making garments. For example, a lightweight fabric such as chiffon is generally considered unsuitable for tailored jackets and trousers. A heavier cotton twill is often used for sturdy uniforms.
Staff Nur Hidayah Abu Bakar Circe Henestrosa Daniela Monasterios-Tan Nadya Wang
Students Guo Li Le Jessica Suwito Felicia Toh Celestine Wong Gabrielle Yeo
Asian Civilisations Museum
Kennie Ting
Curatorial Jackie Yoong
Exhibitions Ng Wan Gui Arielle Lau
Audience Barbara Fras Nur Farhana Salleh Melissa Viswani Prunella Ong Tara Marie Donohue
Supported by
Major Supporter
Paige Parker
Donors and Lenders
Andrew Gn Paige Parker National Museum of Singapore
Credits
All images of the #SGFASHIONNOW exhibits are courtesy of Asian Civilisations Museum, Singapore.
All rights reserved. No reproduction full or partial, including the design of the cover, is permitted. No permission is granted to store or transmit this material, by any means available or made available in the future, unless it is so stated in writing by the owners of the rights. ISBN: 978-981-18-1495-2
A fabrication technique that allows three-dimensional objects to be physically rendered from a Computer Aided Design (CAD) model by layering and fusing materials together. A subset of additive manufacturing.
Through the addition of layers of precise geometric shapes fused together, objects created on CAD software or 3D scanners are fabricated in three-dimension.
A decorative technique achieved by sewing a patch on a foundation fabric. Opaque fabrics can be appliquéd on sheer fabrics to create all over patterns.
A technique of cutting fabric on a diagonal grain. Cutting on the bias allows for more ease on a fitted garment, resulting in an elegant drape over the body. This cutting technique also requires the use of more fabric, making it a common choice for luxurious fitted dresses.
Rings linked together to form a mesh. Historically used in armour, then popularised by Versace in the 1990s. In 3D printing, chainmail is used to create flexible materials resembling textile.
An ornamental textile made of thread or yarn featuring open work patterns. Traditionally made by hand, its value depends on the fibre and complexity of design.
A style of embroidery that traces back to the trade between China, India and the Middle East. Silk threads are embroidered in french knots and satin stitches to create motifs borrowed from Iran, China, India and Europe.
A long, fitted dress worn in China that traces its roots to Manchu dress. With more influence from Western tailoring, darts were used to cut closer to the body. Also referred to as Cheongsam, from the Cantonese.
Designers consider fabric weight and its suitability for making garments. For example, a lightweight fabric such as chiffon is generally considered unsuitable for tailored jackets and trousers. A heavier cotton twill is often used for sturdy uniforms.
All images of the #SGFASHIONNOW exhibits are courtesy of Asian Civilisations Museum, Singapore.
All rights reserved. No reproduction full or partial, including the design of the cover, is permitted. No permission is granted to store or transmit this material, by any means available or made available in the future, unless it is so stated in writing by the owners of the rights. ISBN: 978-981-18-1495-2
Editorial Direction
Circe Henestrosa Nadya Wang
Art Direction and Design
Christopher Purnawan Vera Kwok-Momy
Copyediting
Daniela Monasterios-Tan
Project Management
Nadya Wang
LASALLE College of the Arts
Professor Steve Dixon
School of Fashion
Staff Nur Hidayah Abu Bakar Circe Henestrosa Daniela Monasterios-Tan Nadya Wang
Students Guo Li Le Jessica Suwito Felicia Toh Celestine Wong Gabrielle Yeo
Asian Civilisations Museum
Kennie Ting
Curatorial Jackie Yoong
Exhibitions Ng Wan Gui Arielle Lau
Audience Barbara Fras Nur Farhana Salleh Melissa Viswani Prunella Ong Tara Marie Donohue
Supported by
Major Supporter
Paige Parker
Donors and Lenders
Andrew Gn Paige Parker National Museum of Singapore
#SG FASHION NOW
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